Works Consulted
Agonito, Rosemary, ed. History of Ideas on Woman: A Sourcebook. New York: Perigee Books, 1977.
Bartky, Sandra Lee. Femininity and Domination: Studies in the Phenomenology of Oppression. New York: Routledge, 1990.
Bawer, Bruce. "The Literary Brat Pack." Diminishing Fictions. Saint Paul: Graywolf Press, 1988.
Berman, Ronald. The Great Gatsby and Fitzgerald's World of Ideas. Tuscaloosa: University of Alabama Press, 1997.
-----. The Great Gatsby and Modern Times. Chicago: University of Illinois Press, 1994.
Bewley, Marius. The Eccentric Design: Form in the Classic American Novel. London: Chatto and Windus, 1959.
Blake, Nelson Manfred. Novelists' America: Fiction as History, 1910 - 1940. Syracuse: Syracuse University Press, 1969.
Bloom, Harold, ed. Modern Critical Views: F. Scott Fitzgerald. New York: Chelsea House Publishers, 1985.
Bourdieu, Pierre. Masculine Domination. Stanford: Stanford University Press, 2001
Brooker, Peter. New York Fictions: Modernity, Postmodernism, The New Modern. New York: Longman, 1996.
Brown, Dorothy M. Setting a Course: American Women in the 1920s. Boston: Twayne Publishers, 1987.
Bruccoli, Matthew J, ed. F. Scott Fitzgerald's The Great Gatsby: A Literary Reference. New York: Carroll & Graf Publishers, 2002.
-----. The Last of the Novelists: F. Scott Fitzgerald and The Last Tycoon. Carbondale: Southern Illinois University Press, 1977.
-----, ed. New Essays on The Great Gatsby. Cambridge: Cambridge University Press, 1985.
Callahan, John F. The Illusions of a Nation: Myth and History in the Novels of F. Scott Fitzgerald. Chicago: University of Illinois Press, 1972.
Chang, Semoon. Modern Economics. Boston: Allyn and Bacon, 1990.
Clark, Suzanne. Cold Warriors: Manliness on Trial in the Rhetoric of the West. Carbondale: Southern Illinois University Press, 2000.
Cohen, Jason and Michael Krugman. Generation Ecch!: The Backlash Starts Here. New York: Simon & Schuster, 1994.
Cohn, Jan. Romance and the Erotics of Property. Durham: Duke University Press, 1988.
D'Arcy, Chantal Cornut-Gentille and José Ángel García Landa, eds. Gender, I-deology: Essays on Theory, Fiction and Film. Amsterdam: Rodopi, 1996.
De Caro, Frank. "The Three Great Lies: Riddles of Love and Death in a Postmodern Novel." Southern Folklore, 48.3 (1991). pp. 235-254. Available Online at the British Library: Literature Resource Center 3.1, "Contemporary Literary Criticism" Database.
DiGaetani, John Louis, ed. Money: Lure, Lore, and Literature. Westport: Greenwood Press, 1994.
Duby, Georges and Michelle Perrot, General Editors. A History of Women in the West. Françoise Thébaud, ed. V. Toward a Cultural Identity in the Twentieth Century. Cambridge: Belknap Press, 1996.
Elbert, Monika M., ed. Separate Spheres No More! Gender Convergence in American Literature, 1830 - 1930. Tuscaloosa: University of Alabama Press, 2000.
Ellis, Bret Easton. American Psycho. London: Picador, 1991.
-----. Less Than Zero. London: Picador, 1986.
Fitzgerald, F. Scott. Babylon Revisited and Other Stories. New York: Scribner, 1996.
-----. The Basil and Josephine Stories. New York: Scribner, 1997.
-----. The Beautiful and Damned. London: Penguin Classics, 2001.
-----. The Diamond as Big as the Ritz and Other Stories. London: Penguin Classics, 2001.
-----. Flappers and Philosophers. James L. W. West III, ed. The Cambridge Edition of the Works of F. Scott Fitzgerald. Cambridge: Cambridge University Press, 2000.
-----. The Love of the Last Tycoon: A Western. Matthew J. Bruccoli, ed. The Cambridge Edition of the Works of F. Scott Fitzgerald. Cambridge: Cambridge University Press, 1993.
-----. The Notebooks of F. Scott Fitzgerald. Matthew J. Bruccoli, ed. New York: Harcourt Brace Jovanovich/Bruccoli Clark, 1978.
-----. Trimalchio. James L. W. West III, ed. The Cambridge Edition of the Works of F. Scott Fitzgerald. Cambridge: Cambridge University Press, 2000.
Friedlander, Judith and Blanche Wiesen Cook, et al., eds. Women in Culture and Politics: A Century of Change. Bloomington: Indiana University Press, 1986.
Galbraith, John Kenneth. The Culture of Contentment. Boston: Houghton Mifflin Company, 1992.
Girard, Stephanie. "Standing At The Corner Of Walk And Don't Walk': Vintage Contemporaries, Bright Lights, Big City, and the Problems of Betweeness." American Literature 68.1 (March 1996). pp. 161 - 185. Available online via JSTOR: Standing At The Corner.
Glicksberg, Charles I. The Sexual Revolution in Modern American Literature. The Hague: Martinus Nijhoff, 1971.
Grace, Nancy McCampbell. The Feminized Male Character in Twentieth-Century Literature. Lewiston: The Edwin Mellen Press, 1995.
Greiff, Louis K. "Perfect Marriage in Tender is the Night: A Study in the Progress of a Symbol." In Fitzgerald/Hemingway Annual 1974. Matthew J. Bruccoli, ed. Englewood: Microcard Editions Books, 1975. pp. 63 - 75.
Greiner, Donald J. Women Enter the Wilderness: Male Bonding and the American Novel of the 1980's. Columbia: University of South Carolina Press, 1991.
Gross, Barry Edward. "Jay Gatsby and Myrtle Wilson: A Kinship." Tennessee Studies in Literature, Vol. VIII. Richard Beale Davis, ed. Knoxville: University of Tennessee Press, 1963. pp. 57 - 60.
Hartnett, Koula Svokos. Zelda Fitzgerald and the Failure of the American Dream for Women. New York: Peter Lang, 1991.
Heilbrun, Carolyn G. Toward a Recognition of Androgyny. New York: Alfred A. Knopf, 1973.
Hobsbawn, Eric. The Age of Extremes: A History of the World, 1914 - 1991. New York: Pantheon Books, 1994.
Idema, Henry. Freud, Religion, and the Roaring Twenties: A Psychoanalytic Theory of Secularization in Three Novelists: Anderson, Hemingway, and Fitzgerald. Savage: Rowman & Littlefield Publishers, 1990.
Jameson, Fredric. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991.
Knights, Ben. Writing Masculinities: Male Narratives in Twentieth-Century Fiction. London: Macmillan Press LTD, 1999.
Korenman, Joan S. "‘Only Her Hairdresser:' . . . Another Look at Daisy Buchanan." American Literature 46.4 (January 1975).pp. 574 - 578.
Leavitt, David. "New Voices and Old Values." New York Times Book Review (12 May 1985) pp. 1, 26, 27.
Lee, A. Robert, ed. Scott Fitzgerald: The Promises of Life. London: Vision Press, 1989.
Levenson, Michael, ed. The Cambridge Companion to Modernism. Cambridge: Cambridge University Press, 1999.
Lipsey, Richard G. and K. Alec Chrystal. An Introduction to Positive Economics. Eighth Edition. Oxford: Oxford University Press, 1995.
Lockridge, Ernest, ed. Twentieth Century Interpretations of The Great Gatsby. Englewood Cliffs: Prentice Hall, 1968.
Lukacs, John. The End of the Twentieth Century and the End of the Modern Age. New York: Ticknor & Fields, 1993.
Mangum, Bryant. A Fortune Yet: Money in the Art of F. Scott Fitzgerald's Short Stories. New York: Garland Publishing, 1991.
McCay, Mary A. "Fitzgerald's Women: Beyond Winter Dreams." In American Novelists Revisted: Essays in Feminist Criticism. Fritz Fleishmann, ed. Boston: G. K. Hall & Co., 1982. pp. 311 - 324.
McInerney, Jay. How It Ended. London: Bloomsbury, 2001.
-----. Model Behavior. New York: Vintage Contemporaries, 2000.
-----. Ransom. London: Bloomsbury, 2001.
Middleton, Peter. The Inward Gaze: Masculinity and Subjectivity in Modern Culture. London: Routledge, 1992.
Miller, Laura and Adam Begley, eds. The Salon.Com Reader's Guide to Contemporary Authors. New York: Penguin Books, 2000.
Mizener, Arthur. The Sense of Life in the Modern Novel. Boston: Houghton Mifflin Company, 1964.
Murphy, Peter F. Fictions of Masculinity: Crossing Cultures, Crossing Sexualities. New York: New York University Press, 1994.
O'Meara, Lauraleigh. Lost City: Fitzgerald's New York. New York: Routledge, 2002.
Prigozy, Ruth, ed. The Cambridge Companion to F. Scott Fitzgerald. Cambridge: Cambridge University Press, 2002.
Riley, Glenda. Inventing the American Woman: A Perspective on Women's History. Arlington Heights: Harlan Davidson, 1987.
Rupp, Leila. "Reflections on Twentieth Century American Women's History." Reviews in American History 9.2 (June 1981). pp. 275 - 284.
Seiters, Dan. Image Patterns in the Novels of F. Scott Fitzgerald. Ann Arbor: UMI Research Press, 1986.
Shamir, Milette and Jennifer Travis, eds. Boys Don't Cry? Rethinking Narratives of Masculinity and Emotion in the U.S. New York: Columbia University Press, 2002.
Siegle, Carol. Male Masochism: Modern Revisions of the Story of Love. Bloomington: Indiana University Press, 1995.
Siegle, Robert. Suburban Ambush: Downtown Writing and the Fiction of Insurgency. Baltimore: Johns Hopkins University Press, 1989.
Stansell, Christine. American Moderns: Bohemian New York and the Creation of a New Century. New York: Metropolitan Books, 2000.
Stern, Milton R, ed. Critical Essays on F. Scott Fitzgerald's Tender is the Night. Boston: G. K. Hall & Co., 1986.
-----. Tender is the Night: The Broken Universe. New York: Twayne Publishers, 1994.
Tratner, Michael. Deficits and Desires: Economics and Sexuality in Twentieth-Century Literature. Stanford: Stanford University Press, 2001.
Washington, Bryan R. The Politics of Exile: Ideology in Henry James, F. Scott Fitzgerald, and James Baldwin. Boston: Northeastern University Press, 1995.
Westbrook, Wayne W. Wall Street in the American Novel. New York: New York University Press, 1980.
Zinn, Howard. A People's History of the United States, 1492 - Present. New York: Perennial Classics, 2001.
Bartky, Sandra Lee. Femininity and Domination: Studies in the Phenomenology of Oppression. New York: Routledge, 1990.
Bawer, Bruce. "The Literary Brat Pack." Diminishing Fictions. Saint Paul: Graywolf Press, 1988.
Berman, Ronald. The Great Gatsby and Fitzgerald's World of Ideas. Tuscaloosa: University of Alabama Press, 1997.
-----. The Great Gatsby and Modern Times. Chicago: University of Illinois Press, 1994.
Bewley, Marius. The Eccentric Design: Form in the Classic American Novel. London: Chatto and Windus, 1959.
Blake, Nelson Manfred. Novelists' America: Fiction as History, 1910 - 1940. Syracuse: Syracuse University Press, 1969.
Bloom, Harold, ed. Modern Critical Views: F. Scott Fitzgerald. New York: Chelsea House Publishers, 1985.
Bourdieu, Pierre. Masculine Domination. Stanford: Stanford University Press, 2001
Brooker, Peter. New York Fictions: Modernity, Postmodernism, The New Modern. New York: Longman, 1996.
Brown, Dorothy M. Setting a Course: American Women in the 1920s. Boston: Twayne Publishers, 1987.
Bruccoli, Matthew J, ed. F. Scott Fitzgerald's The Great Gatsby: A Literary Reference. New York: Carroll & Graf Publishers, 2002.
-----. The Last of the Novelists: F. Scott Fitzgerald and The Last Tycoon. Carbondale: Southern Illinois University Press, 1977.
-----, ed. New Essays on The Great Gatsby. Cambridge: Cambridge University Press, 1985.
Callahan, John F. The Illusions of a Nation: Myth and History in the Novels of F. Scott Fitzgerald. Chicago: University of Illinois Press, 1972.
Chang, Semoon. Modern Economics. Boston: Allyn and Bacon, 1990.
Clark, Suzanne. Cold Warriors: Manliness on Trial in the Rhetoric of the West. Carbondale: Southern Illinois University Press, 2000.
Cohen, Jason and Michael Krugman. Generation Ecch!: The Backlash Starts Here. New York: Simon & Schuster, 1994.
Cohn, Jan. Romance and the Erotics of Property. Durham: Duke University Press, 1988.
D'Arcy, Chantal Cornut-Gentille and José Ángel García Landa, eds. Gender, I-deology: Essays on Theory, Fiction and Film. Amsterdam: Rodopi, 1996.
De Caro, Frank. "The Three Great Lies: Riddles of Love and Death in a Postmodern Novel." Southern Folklore, 48.3 (1991). pp. 235-254. Available Online at the British Library: Literature Resource Center 3.1, "Contemporary Literary Criticism" Database.
DiGaetani, John Louis, ed. Money: Lure, Lore, and Literature. Westport: Greenwood Press, 1994.
Duby, Georges and Michelle Perrot, General Editors. A History of Women in the West. Françoise Thébaud, ed. V. Toward a Cultural Identity in the Twentieth Century. Cambridge: Belknap Press, 1996.
Elbert, Monika M., ed. Separate Spheres No More! Gender Convergence in American Literature, 1830 - 1930. Tuscaloosa: University of Alabama Press, 2000.
Ellis, Bret Easton. American Psycho. London: Picador, 1991.
-----. Less Than Zero. London: Picador, 1986.
Fitzgerald, F. Scott. Babylon Revisited and Other Stories. New York: Scribner, 1996.
-----. The Basil and Josephine Stories. New York: Scribner, 1997.
-----. The Beautiful and Damned. London: Penguin Classics, 2001.
-----. The Diamond as Big as the Ritz and Other Stories. London: Penguin Classics, 2001.
-----. Flappers and Philosophers. James L. W. West III, ed. The Cambridge Edition of the Works of F. Scott Fitzgerald. Cambridge: Cambridge University Press, 2000.
-----. The Love of the Last Tycoon: A Western. Matthew J. Bruccoli, ed. The Cambridge Edition of the Works of F. Scott Fitzgerald. Cambridge: Cambridge University Press, 1993.
-----. The Notebooks of F. Scott Fitzgerald. Matthew J. Bruccoli, ed. New York: Harcourt Brace Jovanovich/Bruccoli Clark, 1978.
-----. Trimalchio. James L. W. West III, ed. The Cambridge Edition of the Works of F. Scott Fitzgerald. Cambridge: Cambridge University Press, 2000.
Friedlander, Judith and Blanche Wiesen Cook, et al., eds. Women in Culture and Politics: A Century of Change. Bloomington: Indiana University Press, 1986.
Galbraith, John Kenneth. The Culture of Contentment. Boston: Houghton Mifflin Company, 1992.
Girard, Stephanie. "Standing At The Corner Of Walk And Don't Walk': Vintage Contemporaries, Bright Lights, Big City, and the Problems of Betweeness." American Literature 68.1 (March 1996). pp. 161 - 185. Available online via JSTOR: Standing At The Corner.
Glicksberg, Charles I. The Sexual Revolution in Modern American Literature. The Hague: Martinus Nijhoff, 1971.
Grace, Nancy McCampbell. The Feminized Male Character in Twentieth-Century Literature. Lewiston: The Edwin Mellen Press, 1995.
Greiff, Louis K. "Perfect Marriage in Tender is the Night: A Study in the Progress of a Symbol." In Fitzgerald/Hemingway Annual 1974. Matthew J. Bruccoli, ed. Englewood: Microcard Editions Books, 1975. pp. 63 - 75.
Greiner, Donald J. Women Enter the Wilderness: Male Bonding and the American Novel of the 1980's. Columbia: University of South Carolina Press, 1991.
Gross, Barry Edward. "Jay Gatsby and Myrtle Wilson: A Kinship." Tennessee Studies in Literature, Vol. VIII. Richard Beale Davis, ed. Knoxville: University of Tennessee Press, 1963. pp. 57 - 60.
Hartnett, Koula Svokos. Zelda Fitzgerald and the Failure of the American Dream for Women. New York: Peter Lang, 1991.
Heilbrun, Carolyn G. Toward a Recognition of Androgyny. New York: Alfred A. Knopf, 1973.
Hobsbawn, Eric. The Age of Extremes: A History of the World, 1914 - 1991. New York: Pantheon Books, 1994.
Idema, Henry. Freud, Religion, and the Roaring Twenties: A Psychoanalytic Theory of Secularization in Three Novelists: Anderson, Hemingway, and Fitzgerald. Savage: Rowman & Littlefield Publishers, 1990.
Jameson, Fredric. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991.
Knights, Ben. Writing Masculinities: Male Narratives in Twentieth-Century Fiction. London: Macmillan Press LTD, 1999.
Korenman, Joan S. "‘Only Her Hairdresser:' . . . Another Look at Daisy Buchanan." American Literature 46.4 (January 1975).pp. 574 - 578.
Leavitt, David. "New Voices and Old Values." New York Times Book Review (12 May 1985) pp. 1, 26, 27.
Lee, A. Robert, ed. Scott Fitzgerald: The Promises of Life. London: Vision Press, 1989.
Levenson, Michael, ed. The Cambridge Companion to Modernism. Cambridge: Cambridge University Press, 1999.
Lipsey, Richard G. and K. Alec Chrystal. An Introduction to Positive Economics. Eighth Edition. Oxford: Oxford University Press, 1995.
Lockridge, Ernest, ed. Twentieth Century Interpretations of The Great Gatsby. Englewood Cliffs: Prentice Hall, 1968.
Lukacs, John. The End of the Twentieth Century and the End of the Modern Age. New York: Ticknor & Fields, 1993.
Mangum, Bryant. A Fortune Yet: Money in the Art of F. Scott Fitzgerald's Short Stories. New York: Garland Publishing, 1991.
McCay, Mary A. "Fitzgerald's Women: Beyond Winter Dreams." In American Novelists Revisted: Essays in Feminist Criticism. Fritz Fleishmann, ed. Boston: G. K. Hall & Co., 1982. pp. 311 - 324.
McInerney, Jay. How It Ended. London: Bloomsbury, 2001.
-----. Model Behavior. New York: Vintage Contemporaries, 2000.
-----. Ransom. London: Bloomsbury, 2001.
Middleton, Peter. The Inward Gaze: Masculinity and Subjectivity in Modern Culture. London: Routledge, 1992.
Miller, Laura and Adam Begley, eds. The Salon.Com Reader's Guide to Contemporary Authors. New York: Penguin Books, 2000.
Mizener, Arthur. The Sense of Life in the Modern Novel. Boston: Houghton Mifflin Company, 1964.
Murphy, Peter F. Fictions of Masculinity: Crossing Cultures, Crossing Sexualities. New York: New York University Press, 1994.
O'Meara, Lauraleigh. Lost City: Fitzgerald's New York. New York: Routledge, 2002.
Prigozy, Ruth, ed. The Cambridge Companion to F. Scott Fitzgerald. Cambridge: Cambridge University Press, 2002.
Riley, Glenda. Inventing the American Woman: A Perspective on Women's History. Arlington Heights: Harlan Davidson, 1987.
Rupp, Leila. "Reflections on Twentieth Century American Women's History." Reviews in American History 9.2 (June 1981). pp. 275 - 284.
Seiters, Dan. Image Patterns in the Novels of F. Scott Fitzgerald. Ann Arbor: UMI Research Press, 1986.
Shamir, Milette and Jennifer Travis, eds. Boys Don't Cry? Rethinking Narratives of Masculinity and Emotion in the U.S. New York: Columbia University Press, 2002.
Siegle, Carol. Male Masochism: Modern Revisions of the Story of Love. Bloomington: Indiana University Press, 1995.
Siegle, Robert. Suburban Ambush: Downtown Writing and the Fiction of Insurgency. Baltimore: Johns Hopkins University Press, 1989.
Stansell, Christine. American Moderns: Bohemian New York and the Creation of a New Century. New York: Metropolitan Books, 2000.
Stern, Milton R, ed. Critical Essays on F. Scott Fitzgerald's Tender is the Night. Boston: G. K. Hall & Co., 1986.
-----. Tender is the Night: The Broken Universe. New York: Twayne Publishers, 1994.
Tratner, Michael. Deficits and Desires: Economics and Sexuality in Twentieth-Century Literature. Stanford: Stanford University Press, 2001.
Washington, Bryan R. The Politics of Exile: Ideology in Henry James, F. Scott Fitzgerald, and James Baldwin. Boston: Northeastern University Press, 1995.
Westbrook, Wayne W. Wall Street in the American Novel. New York: New York University Press, 1980.
Zinn, Howard. A People's History of the United States, 1492 - Present. New York: Perennial Classics, 2001.
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